JEFFREY ANDREW WEINSTOCK
Click on hyperlinked essay titles below to access the documents. My full CV can be found on my academia.edu page by clicking HERE.
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“A Colony of Draculas: Adapting Dracula for Film.” Forthcoming in Approaches to Teaching Dracula, edited by William Thomas McBride, MLA.
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“Cult Behaviors.” Handbook of New Science Fictions, edited by J.P. Telotte. Forthcoming, Routledge.
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“The American Gothic: An Interview with Jeffrey Andrew Weinstock.” Reden: RevistaEspañola de Estudios Norteamericanos, “Conversations of the Gothic in Popular Culture” special issue, vol. 3, no. 2, 2022. 3-15.
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“The Anthropocene.” Dark Scenes from Damaged Earth: The Gothic Anthropocene. Eds. Justin Edwards, Rune Graulund, and Johan Högland. University of Minnesota Press, 2022. pp. 7-25
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“The Cinematic Vampire.” Forthcoming in The Vampire: An Edinburgh Companion. Eds. John Edgar Browning and William Hughes. Edinburgh: Edinburgh University Press.
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“Cities of the Dead: Urban Vampires in Only Lovers Left Alive and A Girl Walks Home Alone at Night.” Fantastic Cities: American Urban Spaces in Science Fiction & Fantasy. Eds. Stefan L. Brandt, Michael Fuchs, and Stefan Rabitsch, University of Mississippi Press, 2022, pp. 101-117.
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“We Are Dracula: Penny Dreadful and the Dracula Megatext.” The Transmedia Vampire: Essays on Technological Convergence and the Undead, edited by Simon Bacon. McFarland, 2021, pp. 20-34.
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“Dead is Not Better: The Many Resurrections of Stephen King’s Revival.” Horror Studies, vol.12, no. 2, 2021, pp. 189-203.
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“Walking Alone Together: Adapting Shirley Jackson’s The Haunting of Hill House.” Shirley Jackson: A Companion, edited by Kristopher Woofter. Peter Lang, 2021. 251-64.
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“Autobiography as Rhetoric: Reading Franklin With Douglass.” Approaches to Teaching Frederick Douglass, edited by Jericho Williams. Salem Press, 2021. 3-16.
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"What is IT? Ambient Dread and Modern Paranoia in It (2017), It Follows (2014), and It Comes at Night (2017)." Horror Studies 11.2 (October 2020), 205-220.
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“Haunted Homesteads: E.D.E.N. Southworth’s Dual Gothic.” American Women's Regionalist Fiction: Mapping the Gothic. Eds. Monika Elbert and Rita Bode. Palgrave, 2021. 137-156.
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“Introduction: A Genealogy of Monster Theory.” The Monster Theory Reader. Ed. Jeffrey Andrew Weinstock. University of Minnesota Press, 2020. 1-26.
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“’It’s a Strange World’: David Lynch.” Routledge Companion to Cult Film. Ed. Ernest Mathjis and Jamie Sexton. Routledge, 2019. 383-91.
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“Before the After: Anticipatory Anxiety and Experience Claimed in Poe’s Angelic Dialogues.” Poe Studies: History, Theory, Interpretation. Vol. 52 (2019): 91-109.
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“The Sound of Horror: Michael Jackson’s “Thriller” (1982) and Stanley Kubrick’s The Shining (1980).” Horror: A Companion. Ed. Simon Bacon. Oxford: Peter Lang, 2019. 67-74.
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“Vampire Suicide.” Suicide and the Gothic. Eds. Andrew Smith and Bill Hughes. Manchester University Press, 2019. 139-59.
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“Hawthorne and Science Fiction.” Hawthorne in Context. Ed. Monika Elbert. Cambridge: Cambridge University Press, 2019. 329-39.
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"Introduction: Lovecraft Rising." Introduction to The Journal of the Fantastic in the Arts special issue on Lovecraft, edited by Carl Sederholm and Jeffrey Weinstock, 2016.
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“Gothic and the New Weird: Jeff VanderMeer." The Gothic: A Reader. Ed. Simon Bacon. Palgrave, 2018. 211-16.
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"Afterward: The Age of Monsters.” “Listening to Our Monsters” special edition of Listening: Journal of Communication Ethics, Religion, and Culture. Ed. Michael R. Paradiso-Michau. 2017. 199-205.
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"Monster Talk: A Virtual Roundtable with Mark Bould, Liv Bugge, Surekha Davies, Margrit Shildrick, and Jeffrey Weinstock." Somatechnics. 2018.
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“Blasphemous Knowledge.” Wissen in der Fantastik: Vom Suchen, Verstehen und Teilen. Eds. Vera Cuntz-Leng, Luzie Kollinger, and Meike Uhrig. Springer, 2017. 53-68.
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"Burton's Bowl: Constructing Space in the Films of Tim Burton." A Critical Companion to Tim Burton. Eds. Antonio Sanna and Adam Barkman. Lexington Books, 2017. 3-14.
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"Poe and Postmodernism." The Oxford Handbook of Edgar Allan Poe. Eds. Scott Peeples and Gerald Kennedy. New York: Oxford University Press. 2018. 718-34.
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"Hyberobjects, Apocalypse, and the Elemental Antagonists of American Naturalism.”
Ecogothic in Nineteenth-Century American Literature. Eds. Dawn Keetley and Matthew Sivils. Routledge, 2018. 191-205.
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“The American Ghost Story.” The Routledge Handbook to the Ghost Story. Eds Scott
Brewster and Luke Thurston. Routledge, 2018. 206-14.
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“The New Weird.” New Directions in Popular Fiction: Genre, Distribution, Reproduction. Ed. Ken Gelder. Palgrave, 2016. 177-99.
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“The Soul of the Matter: Frankenstein meets H.P. Lovecraft's 'Herbert West--Reanimator'.” Adapting Frankenstein: The Monster’s Eternal Lives in Popular Culture. Eds. Dennis Perry and Dennis Cutchins. 2018. 221-35.
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“Tekeli-li! Poe, Lovecraft, and the Suspicion of Sameness.” The Lovecraftian Poe. Ed. Sean Moreland. Lehigh University Press, 2017. 51-68.
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“American Vampires.” Edinburgh Companion to the American Gothic. Eds. Jason Haslam and Joel Faflak. Edinburgh University Press. 203-221.
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“The Queer Time of Lively Matter: The Polar Erotics of Harriet Prescott Spofford’s ‘The Moonstone Mass’.” Women’s Studies 46 (2018). 752-66.
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Review Essay: “From the Marketplace to the Classroom: A Teratological Trio.” Journal of the Fantastic in the Arts 27.3 (2016). 494-504.
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"Bubba Ho-tep and the Seriously Silly Cult Film." Science Fiction Double Feature: The Science Fiction Film as Cult Text. Eds J. P. Telotte and Gerald Duchovnay. Liverpool University Press, 2015. 233-48.
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“Sans Fangs: Theda Bara, A Fool There Was, and the Cinematic Vamp.” Dracula’s Daughters. Eds. Douglas Brode and Leah Deyneka. Scarecrow Press, 2014. 37-43.
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“American Monsters.” A Companion to the American Gothic. Ed. Charles L. Crow. Wiley-Blackwell, 2014. 41-55.
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Review Essay: “St. Lovecraft.” Journal of the Fantastic in the Arts 25.1 (2014): 107-22.
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“Gothic and the New American Republic, 1770-1800.” The Gothic World. Eds. Glennis Byron and Dale Townshend. U.K.: Routledge, 2013. 27-37.
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“Postmodernism with Sam Raimi (or, How I Learned to Stop Worrying About Theory and Love Evil Dead).” Fear and Learning: Essays on the Pedagogy of Horror. Eds. Aalya Ahmad and Sean Moreland. Jefferson, NC: McFarland, 2013. 19-39. Translated into Russian as Джеффри Уайнсток. Постмодернизм с Сэмом Рэйми, или Как я научился не волноваться насчет теории и полюбил "Зловещих мертвецов" // Логос. 2014. №5 (101). Стр. (Pp.) 51-78.
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“Charles Brockden Brown.” The Encyclopedia of the Gothic. Eds. David Punter, Andy Smith and Bill Hughes. Wiley-Blackwell January 2013. 83-90.
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“Magazines.” Edgar Allan Poe in Context. Editor Kevin Hayes. Cambridge: Cambridge University Press, 2012. 169-78.
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“Edgar Allan Poe and the Undeath of the Author.” Adapting Poe: Re-Imaginings in Popular Culture. Eds. Dennis Perry and Carl Sederholm. Palgrave, 2012. 13-30.
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“Invisible Monsters: Vision, Horror, and Contemporary Culture.” The Ashgate Research Companion to Monsters and the Monstrous. Eds. Asa Mittman and Peter Dendle. London: Ashgate 2011. 275-89.
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Review essay: “Out of the Closet and Into the Classroom: Queer Gothic.” Journal of the
Fantastic in the Arts 22.1 (2011): 75-91.
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“The American Ghost Story.” A Companion to the American Short Story. Eds. Alfred Bendixen and James Nagel. Oxford: Blackwell, 2010. 408-24.
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“Profaning the Sacred: Gothic Iconography and Subcultural Resistance.” Coverscaping: Discovering Album Aesthetics. Eds. Øyvind Vågnes & Asbjørn Grønstad. Copenhagen: Museum Tusculanum Press, 2010. 163-78.
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“Queer Specters of Rose Terry Cooke and Elizabeth Stuart Phelps Ward.” Death Becomes Her: Cultural Narratives of Femininity and Death in Nineteenth-Century America. Eds. Elizabeth Dill and Sheri Weinstein. Cambridge: Cambridge Scholars Press, 2008. 109-30.
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"Heavy, Black, and Pendulous: Unsuturing Rocky Horror." Reading Rocky Horror: The Rocky Horror Picture Show and Popular Culture. Ed. Jeffrey Andrew Weinstock. New York: Palgrave, 2008. 71-85.
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"What Difference Does It Make? Pym, Plagiarism, and Pop Culture." Approaches to Teaching Poe's Prose and Poetry. Eds. Jeffrey Andrew Weinstock and Anthony Magistrale. New York: MLA, 2008. 61-68.
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"'Simpsons Did It': South Park as Differential Signifier." Taking South Park Seriously. Ed. Jeffrey Andrew Weinstock. Albany: SUNY, 2008. 79-96.
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Review essay: “The Proliferating Undead.” Journal of the Fantastic in the Arts 19.3 (2008): 399-411.
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“Female-Authored Gothic Tales in the Nineteenth-Century Popular Press.” Popular Nineteenth-Century American Women Writers and the Literary Marketplace. Eds. Earl Yarington and Mary De Jong. Cambridge: Cambridge Scholars Press, 2008. 74-96.
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“Maybe It Shouldn’t Be a Party: Kids, Keds, and Death in Stephen King’s Stand By Me and Pet Sematary.” Reading the Films of Stephen King. Ed. Anthony Magistrale. New York: Palgrave 2008.
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“Queer Haunting Spaces: Madeline Yale Wynne’s ‘The Little Room’ and Elia Wilkinson Peattie’s ‘The House That Was Not.’” American Literature 79.3 (Sept. 2007): 501-26.
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“Gothic Fetishism.” Goth: Undead Subculture. Eds. Michael Bibby and Lauren Goodlad. Durham: Duke UP, 2007. 375-97.
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“The Crowd Within: Poe’s Impossible Aloneness.” The Edgar Allan Poe Review VII.2 (Fall 2006): 50-64.
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“Ten Minutes for Seven Letters: Spectrality and the Ethics of Memory in Toni Morrison’s Beloved,” Arizona Quarterly 61.3 (Autumn 2005): 129-52. Reprinted in Toni Morrison’s Beloved: Bloom’s Modern Critical Interpretations. Ed. Harold Bloom. Infobase Publishing, 2009. 73-92.
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“‘Respond Now!’ E-mail, Telepathy, and a Pedagogy of Patience.” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 4.3 (Fall 2004): 364-84.
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"Lostness (Blair Witch)." Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Eds. Sarah Higley and Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004. 229-43.
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“Doing Justice to Bartleby,” American Transcendental Quarterly. 17.1 (March 2003): 23-42.
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“‘In Possession of the Letter’: Kate Chopin’s ‘Her Letters’,” Studies in American Fiction 30:1 (Spring 2002): 45-62. Reprinted in Thomson Gale’s Short Story Criticism vol. 68 (2004).
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“Mars Attacks! Wells, Welles, and Radio Panic or: The Story of the Century.” Ordinary Reactions to Extraordinary Events. Ed. Ray Browne. Bowling Green: Bowling Green University Press, 2001. 210-21.
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“Circumcising Dracula: The Vampire as Anti-Semitic Trope,” The Journal for The Fantastic in the Arts 12.1 (2001): 90-102.
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“ZombieTV,” Post-Identity 2.2 (Fall 1999): 5-21.
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“Virus Culture,” Studies in Popular Culture 20.1 (October 1997): 83-97.
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“This is Not Foucault’s Head,” Post Identity I.1 (Fall 1997): 178-89.
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“The Disappointed Bridge” (on Joyce’s Ulysses) The Journal for the Fantastic in the Arts 8.3 (1997): 347-69. Reprinted in Ulysses: Contemporary Critical Essays. Ed. Rainer Emig. New York: Palgrave, 2004. 61-80.
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“Freaks in Space: ‘Extraterrestrialism’ and ‘Deep-Space Multiculturalism’,” Freakery: Cultural Spectacles of the Extraordinary Body. Rosemarie Garland Thomson, Ed. N.Y.: New York University Press, 1996. 327-37. Translated as “Freaks en el Espacio,” Trans.Eufemio Bildarrain. Revista de Occidente No. 201 (February 1998): 69-87.
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“13 Ways of Looking at Donna Haraway.” CEAMAGazine Volume 7, No. 1 (Fall 1994): 31-44.