Click on hyperlinked essay titles below to access the documents.  My full CV can be found on my academia.edu page by clicking HERE.

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• “A Colony of Draculas: Adapting Dracula for Film.” Forthcoming in Approaches to Teaching Dracula, edited by William Thomas McBride, MLA.

• “Cult Behaviors.” Handbook of New Science Fictions, edited by J.P. Telotte. Forthcoming, Routledge.

• “The American Gothic: An Interview with Jeffrey Andrew Weinstock.” Reden: RevistaEspañola de Estudios Norteamericanos, “Conversations of the Gothic in Popular Culture” special issue, vol. 3, no. 2, 2022. 3-15.

• “The Anthropocene.” Dark Scenes from Damaged Earth: The Gothic Anthropocene. Eds. Justin Edwards, Rune Graulund, and Johan Högland. University of Minnesota Press, 2022. pp. 7-25

• “The Cinematic Vampire.” Forthcoming in The Vampire: An Edinburgh Companion. Eds. John Edgar Browning and William Hughes. Edinburgh: Edinburgh University Press.

• “Cities of the Dead: Urban Vampires in Only Lovers Left Alive and A Girl Walks Home Alone at Night.” Fantastic Cities: American Urban Spaces in Science Fiction & Fantasy. Eds. Stefan L. Brandt, Michael Fuchs, and Stefan Rabitsch, University of Mississippi Press, 2022, pp. 101-117.

• “We Are Dracula: Penny Dreadful and the Dracula Megatext.” The Transmedia Vampire: Essays on Technological Convergence and the Undead, edited by Simon Bacon. McFarland, 2021, pp. 20-34.

• “Dead is Not Better: The Many Resurrections of Stephen King’s Revival.” Horror Studies, vol.12, no. 2, 2021, pp. 189-203.

• “Walking Alone Together: Adapting Shirley Jackson’s The Haunting of Hill House.” Shirley Jackson: A Companion, edited by Kristopher Woofter. Peter Lang, 2021. 251-64.

• “Autobiography as Rhetoric: Reading Franklin With Douglass.” Approaches to Teaching Frederick Douglass, edited by Jericho Williams. Salem Press, 2021. 3-16.

• "What is IT? Ambient Dread and Modern Paranoia in It (2017), It Follows (2014), and It Comes at Night (2017)." Horror Studies 11.2 (October 2020), 205-220.

• “Haunted Homesteads: E.D.E.N. Southworth’s Dual Gothic.” American Women's Regionalist Fiction: Mapping the Gothic. Eds. Monika Elbert and Rita Bode. Palgrave, 2021. 137-156.

• “Introduction: A Genealogy of Monster Theory.” The Monster Theory Reader. Ed. Jeffrey Andrew Weinstock. University of Minnesota Press, 2020. 1-26.

• “’It’s a Strange World’: David Lynch.” Routledge Companion to Cult Film. Ed. Ernest Mathjis and Jamie Sexton. Routledge, 2019. 383-91.

• “Before the After: Anticipatory Anxiety and Experience Claimed in Poe’s Angelic Dialogues.” Poe Studies: History, Theory, Interpretation. Vol. 52 (2019): 91-109.

• “The Sound of Horror: Michael Jackson’s “Thriller” (1982) and Stanley Kubrick’s The Shining (1980).” Horror: A Companion. Ed. Simon Bacon. Oxford: Peter Lang, 2019. 67-74.

• “Vampire Suicide.” Suicide and the Gothic. Eds. Andrew Smith and Bill Hughes.  Manchester University Press, 2019. 139-59.

• “Hawthorne and Science Fiction.” Hawthorne in Context. Ed. Monika Elbert. Cambridge: Cambridge University Press, 2019. 329-39.

• "Introduction: Lovecraft Rising." Introduction to The Journal of the Fantastic in the Arts special issue on Lovecraft, edited by Carl Sederholm and Jeffrey Weinstock, 2016.

• “Gothic and the New Weird: Jeff VanderMeer." The Gothic: A Reader. Ed. Simon Bacon. Palgrave, 2018. 211-16.

• "Afterward: The Age of Monsters.” “Listening to Our Monsters” special edition of Listening: Journal of Communication Ethics, Religion, and Culture. Ed. Michael R. Paradiso-Michau. 2017. 199-205.

• "Monster Talk: A Virtual Roundtable with Mark Bould, Liv Bugge, Surekha Davies, Margrit Shildrick, and Jeffrey Weinstock." Somatechnics. 2018.

• “Blasphemous Knowledge.” Wissen in der Fantastik: Vom Suchen, Verstehen und Teilen. Eds. Vera Cuntz-Leng, Luzie Kollinger, and Meike Uhrig. Springer, 2017. 53-68.

• "Burton's Bowl: Constructing Space in the Films of Tim Burton." A Critical Companion to Tim Burton. Eds. Antonio Sanna and Adam Barkman. Lexington Books, 2017. 3-14.

• "Poe and Postmodernism." The Oxford Handbook of Edgar Allan Poe. Eds. Scott Peeples and Gerald Kennedy. New York: Oxford University Press. 2018. 718-34.

• "Hyberobjects, Apocalypse, and the Elemental Antagonists of American Naturalism.”

  Ecogothic in Nineteenth-Century American Literature. Eds. Dawn Keetley and Matthew Sivils. Routledge, 2018. 191-205.

• “The American Ghost Story.” The Routledge Handbook to the Ghost Story. Eds Scott

  Brewster and Luke Thurston. Routledge, 2018. 206-14.

• “The New Weird.” New Directions in Popular Fiction: Genre, Distribution, Reproduction. Ed. Ken Gelder. Palgrave, 2016. 177-99.

• “The Soul of the Matter: Frankenstein meets H.P. Lovecraft's 'Herbert West--Reanimator'.” Adapting Frankenstein: The Monster’s Eternal Lives in Popular Culture. Eds. Dennis Perry and Dennis Cutchins. 2018. 221-35.

• “Tekeli-li! Poe, Lovecraft, and the Suspicion of Sameness.” The Lovecraftian Poe. Ed. Sean Moreland. Lehigh University Press, 2017. 51-68.

• “American Vampires.” Edinburgh Companion to the American Gothic. Eds. Jason Haslam and Joel Faflak. Edinburgh University Press. 203-221.

• “The Queer Time of Lively Matter: The Polar Erotics of Harriet Prescott Spofford’s ‘The Moonstone Mass’.” Women’s Studies 46 (2018). 752-66.

• Review Essay: “From the Marketplace to the Classroom: A Teratological Trio.” Journal of the Fantastic in the Arts 27.3 (2016). 494-504.

• "Bubba Ho-tep and the Seriously Silly Cult Film." Science Fiction Double Feature: The Science Fiction Film as Cult Text. Eds J. P. Telotte and Gerald Duchovnay. Liverpool University Press, 2015. 233-48.

• “Sans Fangs: Theda Bara, A Fool There Was, and the Cinematic Vamp.” Dracula’s Daughters. Eds. Douglas Brode and Leah Deyneka. Scarecrow Press, 2014. 37-43.

• “American Monsters.” A Companion to the American Gothic. Ed. Charles L. Crow. Wiley-Blackwell, 2014. 41-55.

• Review Essay: “St. Lovecraft.” Journal of the Fantastic in the Arts 25.1 (2014): 107-22.

• “Gothic and the New American Republic, 1770-1800.” The Gothic World. Eds. Glennis Byron and Dale Townshend. U.K.: Routledge, 2013. 27-37.

• “Postmodernism with Sam Raimi (or, How I Learned to Stop Worrying About Theory and Love Evil Dead).” Fear and Learning: Essays on the Pedagogy of Horror. Eds. Aalya Ahmad and Sean Moreland. Jefferson, NC: McFarland, 2013. 19-39. Translated into Russian as Джеффри Уайнсток. Постмодернизм с Сэмом Рэйми, или Как я научился не волноваться насчет теории и полюбил "Зловещих мертвецов" // Логос. 2014. №5 (101). Стр. (Pp.) 51-78.

• “Charles Brockden Brown.”  The Encyclopedia of the Gothic.  Eds. David Punter, Andy Smith and Bill Hughes. Wiley-Blackwell January 2013. 83-90.

• “Magazines.”  Edgar Allan Poe in Context.  Editor Kevin Hayes. Cambridge: Cambridge University Press, 2012. 169-78.

• “Edgar Allan Poe and the Undeath of the Author.”  Adapting Poe: Re-Imaginings in Popular Culture.  Eds. Dennis Perry and Carl Sederholm. Palgrave, 2012. 13-30.

• “Invisible Monsters: Vision, Horror, and Contemporary Culture.”  The Ashgate Research Companion to Monsters and the Monstrous.  Eds. Asa Mittman and Peter Dendle. London: Ashgate 2011. 275-89.

• Review essay: “Out of the Closet and Into the Classroom: Queer Gothic.”  Journal of the

  Fantastic in the Arts 22.1 (2011): 75-91.

• “The American Ghost Story.” A Companion to the American Short Story.  Eds. Alfred Bendixen and James Nagel.  Oxford: Blackwell, 2010. 408-24.

• “Profaning the Sacred: Gothic Iconography and Subcultural Resistance.”  Coverscaping: Discovering Album Aesthetics.  Eds. Øyvind Vågnes & Asbjørn Grønstad.  Copenhagen: Museum Tusculanum Press, 2010.  163-78. 

• “Queer Specters of Rose Terry Cooke and Elizabeth Stuart Phelps Ward.”  Death Becomes Her: Cultural Narratives of Femininity and Death in Nineteenth-Century America.  Eds. Elizabeth Dill and Sheri Weinstein.  Cambridge: Cambridge Scholars Press, 2008. 109-30.

• "Heavy, Black, and Pendulous: Unsuturing Rocky Horror." Reading Rocky Horror: The Rocky Horror Picture Show and Popular Culture. Ed. Jeffrey Andrew Weinstock. New York: Palgrave, 2008. 71-85.

• "What Difference Does It Make? Pym, Plagiarism, and Pop Culture." Approaches to Teaching Poe's Prose and Poetry. Eds. Jeffrey Andrew Weinstock and Anthony Magistrale. New York: MLA, 2008. 61-68.

• "'Simpsons Did It': South Park as Differential Signifier." Taking South Park Seriously. Ed. Jeffrey Andrew Weinstock. Albany: SUNY, 2008. 79-96.

• Review essay: “The Proliferating Undead.”  Journal of the Fantastic in the Arts 19.3 (2008): 399-411.

• “Female-Authored Gothic Tales in the Nineteenth-Century Popular Press.”  Popular Nineteenth-Century American Women Writers and the Literary Marketplace.  Eds. Earl Yarington and Mary De Jong.  Cambridge: Cambridge Scholars Press, 2008.  74-96.

• “Maybe It Shouldn’t Be a Party: Kids, Keds, and Death in Stephen King’s Stand By Me and Pet Sematary.”  Reading the Films of Stephen King.  Ed. Anthony Magistrale.  New York: Palgrave 2008.

• “Queer Haunting Spaces: Madeline Yale Wynne’s ‘The Little Room’ and Elia Wilkinson Peattie’s ‘The House That Was Not.’” American Literature 79.3 (Sept. 2007): 501-26.

• “Gothic Fetishism.”  Goth: Undead Subculture.  Eds. Michael Bibby and Lauren Goodlad.  Durham: Duke UP, 2007.  375-97.

• “The Crowd Within: Poe’s Impossible Aloneness.”  The Edgar Allan Poe Review VII.2 (Fall 2006): 50-64.

• “Ten Minutes for Seven Letters: Spectrality and the Ethics of Memory in Toni Morrison’s Beloved,” Arizona Quarterly 61.3 (Autumn 2005): 129-52.  Reprinted in Toni Morrison’s Beloved: Bloom’s Modern Critical Interpretations.  Ed. Harold Bloom. Infobase Publishing, 2009.  73-92.

• “‘Respond Now!’ E-mail, Telepathy, and a Pedagogy of Patience.”  Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 4.3 (Fall 2004): 364-84.

• "Lostness (Blair Witch)." Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Eds. Sarah Higley and Jeffrey Andrew Weinstock. Detroit: Wayne State University Press, 2004. 229-43.

• “Doing Justice to Bartleby,” American Transcendental Quarterly.  17.1 (March 2003):  23-42.

• “‘In Possession of the Letter’: Kate Chopin’s ‘Her Letters’,” Studies in American Fiction 30:1 (Spring 2002): 45-62.  Reprinted in Thomson Gale’s Short Story Criticism vol. 68 (2004).

• “Mars Attacks!  Wells, Welles, and Radio Panic or: The Story of the Century.” Ordinary Reactions to Extraordinary Events. Ed. Ray Browne.  Bowling Green: Bowling Green University Press, 2001.  210-21.

• “Circumcising Dracula: The Vampire as Anti-Semitic Trope,” The Journal for The Fantastic in the Arts 12.1 (2001): 90-102.

• “ZombieTV,” Post-Identity 2.2 (Fall 1999): 5-21.

• “Virus Culture,” Studies in Popular Culture 20.1 (October 1997): 83-97.

• “This is Not Foucault’s Head,” Post Identity I.1 (Fall 1997): 178-89.

• “The Disappointed Bridge” (on Joyce’s Ulysses) The Journal for the Fantastic in the Arts 8.3 (1997): 347-69. Reprinted in Ulysses: Contemporary Critical Essays.  Ed. Rainer Emig. New York: Palgrave, 2004.  61-80.

• “Freaks in Space: ‘Extraterrestrialism’ and ‘Deep-Space Multiculturalism’,” Freakery: Cultural Spectacles of the Extraordinary Body.  Rosemarie Garland Thomson, Ed. N.Y.: New York University Press, 1996.  327-37. Translated as “Freaks en el Espacio,” Trans.Eufemio Bildarrain. Revista de Occidente No. 201 (February 1998): 69-87.

• “13 Ways of Looking at Donna Haraway.” CEAMAGazine Volume 7, No. 1 (Fall 1994): 31-44.